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Ed
Lyon tenor
Ed Lyon was
educated at St. John's College, Cambridge, from which he graduated with
a BA in History of Art in 2001, and at the Royal Academy of Music, where
he was awarded many prizes including the Goldberg Operatic Prize, the
Joseph Mass tenor prize and the Flora Nielsen Song Prize. He was a finalist
in the 2003 Kathleen Ferrier Competition, and is a Samling Foundation
Scholar.
He made his
professional debut at Snape Maltings when he sang the Evangelist in Telemann's
St. Matthew Passion, and returned to perform Britten's Cantata
Misericordium and Acis in Handel’s Acis and Galatea.
Recently
he has sung Bach’s St John Passion, Bach's St.Matthew
Passion, Beethoven's Mass in C, the world premiere of Michael
Stimpson’s The Angry Garden, Britten’s Serenade
and Les Illuminations, Britten’s War Requiem at
the Berlin Philharmonie, Messiah at Birmingham Symphony Hall
and the Royal Albert Hall, Mozart’s Requiem with Sir Roger
Norrington at the Spitalfields Festival and Hylas in Handel’s Hercules
for the London Handel Festival.
Operatic
roles include Peter Quint in The Turn of the Screw, the Male Chorus in
The Rape of Lucretia and the title role in Albert Herring for Opera East
Productions and the Opera Project at Iford and Longborough. He recently
sang the part of the Schoolmaster in Janacek’s The Cunning Little
Vixen under Sir Charles Mackerras, Ecclitico in Haydn’s Il
Mondo della Luna and Kornelis in La Princesse Jaune for
Royal Academy Opera and Jupiter in Handel’s Semele for
British Youth Opera.
Future performances
include Shepherd in Orfeo with Le Concert d’Astrée
and Emmanuelle Haïm in Lille, the Châtelet, Paris
and Strasbourg, Hyllus in Hercules by Handel with William Christie
and Les Arts Florissants in New York and London, and Telemachus Il
Ritorno di Ulisse in Patria for WNO. Ed studies at the National Opera
Studio and is grateful to the Sybil Tutton Trust, the Countess of Munster
Musical Trust, English National Opera and Welsh National Opera for their
support. Ed is taught by David Maxwell Anderson.
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