Maxine
Montgomery
soprano
Maxine’s
love of singing and theatre began at the age of seven, and led her to
commence formal singing lesson when she was thirteen. With encouragement
from her teacher, Constance Coward-Lemke, Maxine started to look to a
career in opera and music theatre.
Maxine completed her Bachelor of Music at the University of Melbourne
between 1993/6. Involvement in the Historic Opera Project saw Maxine sing
the roles of Gianetta Don Giovanni and Mrs Chase Stella.
Other operatic roles have been Manuela in the world premiere of Christopher
Columbus, as well as chorus in The Magic Flute, Le Jongleur
de Notre Dame, and Magdalena (all for the Ballarat Opera
Festival).
In 2001, she completed her GradDipMus (Opera Performance) at the Queensland
Conservatorium, Griffith University under Jan Delpratt. While there, she
was awarded both the entrance and post-graduate singing scholarships.
Maxine also attained her L.Mus.A. in singing, passing with distinction.
Maxine did chorus work with Opera Queensland in their 2002 concert performance
of La Damnation de Faust. She returned to Ballarat in March 2002
and is presently studying with Anna Connolly. She was awarded the 2002
Arnold Matters Vocal Scholarship at the Adelaide Eisteddfod. In November
2002, Maxine made her Opera Australia debut in the chorus of the Melbourne
productions of Iolanthe and Der Rosenkavalier.
In 2003, Maxine delighted in playing the role of Mrs Lovett in Sondheim’s
musical thriller Sweeney Todd: The Demon Barber Of Fleet Street for the Ballarat Light Opera Company. Her accomplished performance in
the role was recognised when she was awarded the Music Theatre Guild of
Victoria’s Award for best leading actress for 2003. She took a month
long study trip to Italy in July where she participated in a masterclass
with Mirella Freni. In October, she sang in the final of the Melbourne
Herald-Sun Aria. In
2004 Maxine performed the role of Clown in OzOpera’s Schools Company
performances of Sid the Serpent Who Wanted To Sing.
Maxine's
NOS studies were supported by the Opera Foundation Australia 2004 Covent
Garden National Opera Studio Scholarship. |