Beth is generously supported by the Lionel Anthony Charitable Trust, Chris and Lorna Bown, Chris Ball and John Wates.
Originally from Leeds, Beth Moxon studied on the International Opera Course at the Royal College of Music with Dinah Harries. Beth has performed the roles of Hermia, Lapak/Woodpecker/Grasshopper The Cunning Little Vixen, Rosimonda Faramondo, Nancy Albert Herring, 3rd Boy and Juno/Public Opinion Orpheus in the Underworld. She also covered the roles of Maurya in British Youth Opera’s 2015 production of Riders to the Sea and Stewardess in Opera Holland Park’s 2015 production of Flight. For the past two summers, Beth has been part of the Glyndebourne Festival Chorus, which included singing in the world premiere of Brett Dean’s Hamlet, La clemenza di Tito, Don Pasquale, La traviata, Die Meistersinger von Nürnberg, Le nozze di Figaro and Béatrice et Bénédict. She also covered the roles of 2nd Bridesmaid Le nozze di Figaro and Woodpecker The Cunning Little Vixen. Oratorio engagements include Verdi’s Requiem, Mozart’s Requiem, Rossini’s La petite messe solennelle, Dvořák’s Mass in D, Saint-Saëns’ Requiem, Handel’s Messiah, Duruflé’s Requiem, Vivaldi’s Gloria and Haydn’s Stabat Mater. Recent operatic engagements include the UK premiere of Kioulaphides’ Nordseelieder, Ella in Huw Watkins’ The locked room at RCM and Dido in a concert performance of Dido and Aeneas. Beth has taken part in masterclasses with Brigitte Fassbaender at the Wigmore Hall, Sir Thomas Allen, Ann Murray and Roger Vignoles. She is an H F Music Award Holder, supported by an Elsie Gertrude Martin Scholarship, the Josephine Baker Trust and Commander & the late Mrs Vigrass.