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NewsletterThe best way to prepare as a repetiteur is by learning to play and sing the vocal lines! In this video, Eric Melear explains how embracing your "voce di coach-e" frees up your ears and eyes, helping you tune into the singers and stay flexible with the conductor. Singing the vocal lines also helps you master the text, understand breathing, and support singers in rehearsal. Plus, you might even end up singing parts when a singer is missing during rehearsals!
More Coaching insights
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Coaching insights
Bass Vocal Fachs
Basses are the foundation of the operatic world. There are several bass vocal fachs: Bass-Baritone, Basso Cantante, Buffo Bass, and Basso Profondo. These categories are based on vocal range, timbre, agility, and the kinds of roles each voice typically performs—but like all fachs, they’re not set in stone. Voices evolve, and many singers move fluidly between categories.
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Coaching insights
Baritone Vocal Fachs
Baritones are the smooth operators of the operatic world. Whether playing schemers, lovers, or conflicted antiheroes, baritones cover a wide emotional and vocal range. While there are three baritone fachs—Lyric, Verdi, and Dramatic—these categories aren’t rigid. Voices grow, shift, and surprise us.
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Coaching insights
Introduction to Stagecraft
Stagecraft is what marks opera out as different from a concert or recital. The music is the framework that drives the narrative and evokes emotion, but it’s the stagecraft that lifts it into the three-dimensional, creating real individuals who live out the story in front of us.
