Emily Gottlieb Chief Executive Expand Emily has been Chief Executive of the National Opera Studio since 2015. Prior to this, she spent 15 years with the Royal Opera House; first as Stage Manager, managing over 60 productions for the Royal Opera, and then taking a leading role under CEO Alex Beard in the organisational development of the ROH, designing and developing their first Internal Engagement Programme. She was the first ever Consortium-supported Performing Arts Fellow on the Clore Leadership Programme in 2012-13. She has worked in leading opera companies around the world, as stage designer, company manager or stage manager, including Glyndebourne Festival Opera, Victoria State Opera, European Union Opera and Grange Park Opera. She is the Chair of Trustees of Visible Theatre Ensemble, a Trustee of the Buxton International Festival and the Wandworth BID, a Fellow of the Royal Society for Arts and a relational dynamics coach. She is a keen cook and loves wildlife, with an especial fondness for the giraffe.
David Sulkin OBE Director of Artist Development Expand David has been at the forefront of change, development and learning and participation while directing and supporting young artists since he graduated in Theatre Arts from the Rose Bruford College in the 1970s. He was Director of the Royal Court Young People's Theatre during which time he was awarded an Anglo-Soviet Study Scholarship and also assisted with the creation of Interplay - the International Festival of Young Playwrights. He was Co-founder and Director of the Baylis Programme at English National Opera, visiting Director of Janáček in Hukvakdy, Director of Policy and Programmes at Youth Music and Executive Director of Help Musicians UK. As well as working at the National Opera Studio he is currently finishing work on a play about Leoš Janáček. He is chairman of the Sing Up Foundation. David was awarded the OBE in HM The Queen's New Year's Honours in 2014 for his work in the arts, education and charity. David spends time motorcycling, making jam and chutney and training his cat, Finsbury Circus, to do tricks.
Jeremy Silver Assistant Head of Music Expand Jeremy studied Modern Languages and Music at Clare College, Cambridge and went on to study conducting at the Royal College of Music with Norman del Mar, continuing his studies for a number of years with internationally renowned teacher George Hurst. He furthered his studies at the National Opera Studio, where he is now the Assistant Head of Music. Jeremy has worked extensively in South Africa with all the country’s major symphony orchestras in repertoire ranging from the classical symphonies of Mozart, Beethoven and Schubert through to the iconic works of the 19th and 20th centuries, such as Saint Saëns’ Organ Symphony, Rachmaninov’s 2nd Symphony, Elgar’s Enigma Variations and the Webern Passacaglia. He has conducted La bohème and Le nozze di Figaro with Cape Town Opera and Lucia di Lammermoor with Gauteng Opera. As principal conductor of Opera Africa (2004-2007) he conducted productions of I Capuleti e i Montecchi, La traviata and Rigoletto as well as a tour of the South African opera Princess Magogo to Het Muziektheater, Amsterdam.
Mark Shanahan Head of Music Expand Mark studied at Chetham's school of Music and London University before joining the post-graduate conducting course at the Royal Academy of Music as the Sir Henry Wood conducting Scholar. Mark’s orchestral work includes broadcasts and concerts with the BBC, National Symphony Orchestra of Ireland, RTE Concert Orchestra, Stavanger Symphony, Royal Philharmonic Orchestra, Welsh National Opera Orchestra and The English Northern Philharmonia, he is Artistic Director of Forest Philharmonic Orchestra. He held the position of Principal Guest conductor of the Netherlands Symphony Orchestra for six years. Mark has worked in opera throughout the UK, including productions for English National Opera, Opera North and Grange Park Opera. Internationally, Mark has conducted for Opera Ireland, and the Wexford Festival. He made his French debut with Nantes-Angers Opera for their acclaimed production of Jenůfa which was awarded the Claude Rostand Critique award leading to extensive operatic work across France, Italy and Germany. Most recently he conducted Carmen for Frankfurt Opera. He also made his symphonic debut in Paris with the Orchestre Lamoureux and at Opera de Nancy with a new production of Katya Kabanova. Outside of opera, Mark's interests include history, design and architecture.
Katya Kazakevich Head of Artistic Planning Expand Katya joined the NOS in September 2015. Graduating with a degree in English from the University of Cambridge, where she was also a Choral Scholar, she undertook internships at Philharmonia Orchestra and Askonas Holt before becoming Music Co-ordinator and PA to the Music Director at English National Opera. She was the copy-writer on the e-edition of Amanda Holden’s The Opera Guide, and has also worked as concert coordinator for comedian Rainer Hersch, concerts administrator for The Paradisal Players and front-of-house at Wigmore Hall. From 2014-2018, Katya was Director of Young People in the Arts, a social networking organisation which puts on monthly discussions and networking opportunities for young cultural professionals, providing a platform for development through dialogue between senior industry professionals and younger members, and inspiring the next generation of arts leaders. She now sits on their Advisory Board. Her hobbies include choral singing, independent films and good coffee.
Nicholas Boyd-Vaughan Head of Communications Expand Nicholas joined the National Opera Studio in October 2016 and is responsible for all of the Studio’s communications, branding, website and marketing. Nicholas displayed a talent for music from an early age, and studied voice under NOS alumnus Mark Luther. His recognised talents led to acceptance into the National Academy for Gifted and Talented Youth and the Royal College of Music Junior Department, following which, he was awarded a major scholarship to the Vocal and Opera department of the Royal Welsh College of Music and Drama. On completing his studies, Nicholas joined the press office of the Royal Opera House, firstly attached to the Learning and Participation team and ROH2, and then to The Royal Opera. In 2011, Nicholas joined the Concerts Team at St Martin-in-the-Fields, where he was responsible for the artistic direction of the Lunchtime Concert Series, the founding of St Martin’s Embassy and Cultural Institute Series, the creation of the myStMartin’s membership scheme, and the marketing of over 400 concerts each year. He is a Fellow of the Royal Society of Arts and a member of the Arts Marketing Association and the Chartered Institute of Public Relations. When not at the Studio, Nicholas plays rugby for a team in Northampton – badly.
Robert Moffat Development Manager Expand Robert has over twenty years experience in arts fundraising, mainly in opera where he has been involved with English Touring Opera, The Garden Venture, The BBC Cardiff Singer of the World, The Sixteen and Opera Rara. In addition he worked for several years for the innovative sustainable energy charity Ashden. He is committed to widening the diversity of funding wherever he works and to seeking innovative solutions to make projects happen. A keen amateur singer he is Chairman of the renowned English Chamber Choir.
Richard Slack Finance and Operations Manager Expand Richard obtained a degree in History and Philosophy of Science at Cambridge in 1974. After working for a short while as a Civil Servant, Richard spent 20 years looking after his three children. In 1997, he returned to work in financial administration in a number of different settings, largely for small organisations in the voluntary, charitable, creative and arts sectors. Richard was brought on as Finance Officer and Book-keeper at the National Opera Studio in August 2011, becoming Finance Manager in 2013. In 2016, Richard became Finance and Operations Manager for the Studio, with added responsibilities for maintaining The Clore Building and managing contracts. In addition to music and opera, Richard's interests include being active in politics, watching football (Millwall F.C.), and learning German.
Natalya Best-Forbes Team Administrator Expand Natalya has been working as the Team Administrator at the National Opera Studio since September 2016. She coordinates the NOS's rehearsal room hires, facilities management, and auditions process. Natalya also runs the Friends of the National Opera Studio and coordinates our Diverse Voices programme. Natalya read History at the University of Roehampton and also has experience working as the Creative Assistant at Woolwich Opera Works and the Gallery London. Natalya volunteers at Somerset House, has interned at an event management company which specialises in music events, and has a wealth of experience working in the hospitality industry. Natalya is also a visual artist and has curated and exhibited her work twice in South East London.
Remon Gabrael Caretaker Expand Remon has worked at the National Opera Studio since 2007. Born in Baghdad, Iraq, Remon moved to the United Kingdom in 1993, where he gained his SIA licence and began running security for several organisations around South London. As well as being responsible for performing maintenance on The Clore Building, Remon acts as Duty Manager for all external hires and performances. Remon is a qualified fire marshal and first-aider, and is trained in extended evacuation techniques. Remon holds a degree in Engineering from Baghdad University, and as well as his love of opera, enjoys football (Manchester United) and spending time with his family.